Once you’re done and ready to export your timeline (or composite shot) back to the desktop, or wherever else you’re planning on sending it to, you can simply hit “Start Exporting” in the lower left hand corner, and HitFilm Pro will start exporting, and give you detailed information about it’s progress, start time, elapsed time, and how much time is remaining in your exports. Only ones that HitFilm says I can have access to, so no Avid DNxHD/HR exports from HitFilm Pro for me….sigh.
One thing that I found surprising, and a little disappointing is that when I went into create a preset, I don’t have access to all the codecs on my system.
Hitfilm pro png file mac#
Mac users will also have the ability to export ProRes files directly from HitFilm for delivery directly to stations, or spot delivery services, or post/VFX houses if necessary. MP4, Still Image (JPEG, PNG, ETC), and QuickTime movie.
Hitfilm pro png file windows#
You’ll notice that down at the bottom of the Presets window, there is a button to create your own presets, and when you click on it, you really only have three choices (keep in mind that I am on a Mac, so this may vary slightly on Windows machines). To use one of the “packaged” presets, simply drag and drop it onto the the item in the queue, and it will immediately be updated with the new export settings. The actual queue itself, and the Preset window. You’ll notice that the export window is broken down into two distinct sides. Once you hit the tool on the toolbar, you’re now brought to the Export tab, and you’ll see that your sequence is queued up and ready to export. We’re just going to go with the “Export Contents” command for this lesson, and you can apply what we talk about to the “Export I/O Area”. The two tools are the “Export Contents” tool, and the “Export In/Out Area”, which are both pretty self explanatory. The exporting process itself is the same, it just depends on whether you want to export your entire timeline, or just a portion of it. Now let’s move on and talk about exporting, as we have two tools on the Toolbar that we can use to export. This is the Snapping Tool, and it can be turned on and off by simply using the standard keyboard shortcut of SHFT+S on the keyboard (on both Mac and Windows). Let’s now jump over the Export options for just one second, for me to point out another “tool” on the toolbar (even though I wouldn’t really call it a tool). Now that you’ve done this, if you right click on the clip and head back to the Speed/Duration option, you’ll now see that the timing of the shot as been updated, so you’ll know exactly how much (or how little for that matter), your shot as been slowed down. Then, grab the edit you want to stretch out to fill the space between two edits and, voila, you’re done! Hit the keyboard shortcut of “S”, or navigate over and select the tool on the toolbar. That’s where the Rate Stretch Tool comes into play. Using the “default”, Right Click>Speed/Duration command, can be pretty cumbersome, again, trying to get a shot to fit in between two other shots. One problem you’ll encounter, when working with speed adjustments, is that unless you’re working on a single shot basis, it’s pretty tricky to figure out exactly how much to adjust a clip, to get it to fit into a space between two clips. We left off at the end of the last article, getting ready to talk about the Rate Stretch Tool, so let’s take a look at how it works, exactly. In our last lesson, in our look at learning HitFilm Pro, we talked about most of the tools in the toolbar, and how you’ll use them in your editing workflows in HitFilm Pro, and in this lesson, we’re going to keep the discussion of the toolbar going by talking about a few other tools including the Rate Stretch Tool, and the Export Tools.